Poetry & Popular Culture: Poetry Out Loud Comes to Salem

Friday, March 8, 2013

Poetry Out Loud Comes to Salem

This is an exciting couple of weeks for Oregon high school students, teachers, parents, and judges who are partici- pating in the final leg of the state-level Poetry Out Loud competition—the nationally run program sponsored by the National Endowment for the Arts, the Poetry Foundation, and state art agencies in which students compete for scholarships and other prizes awarded on the basis of excellence in poetry recitation. (That's 2011 Oregon finalist McKinley Rodriguez with Oregon Poet Laureate Paulann Petersen pictured here.)

P&PC is excited about this for a couple of reasons: not only are we sending a repre- sentative to help judge the Northern Regional Contest taking place tomorrow (Saturday, March 9) from 5-8pm at the Powell's Books at Cedar Hills Crossing in Beaverton, but then the following weekend—Saturday, March 16 from 1-4pm—the State Finals take place in Salem at the Willamette Heritage Center at Mission Mill right across the street from Willamette University, one of the few times that the literary arts in Oregon run not through the big city just to the north but through the state capital. Both events are free and open to the public, so come on out for one or both!

As a side note, Petersen will be spending additional time in Salem this coming week when she visits Willamette to meet with students and give a public reading from her new book on Wednesday, March 6 at 7:30pm in the Hatfield Room of the WU library. That reading, too, is free and open to the public. Things poetic are shaking in the capital these days—WU's Prisoner's Poetry program has launched a web site and is getting national attention, the Gold Man Review has just published its new issue, Brightly Dawning Day has just wrapped up its run, and Everyday Reading recently broke the top 100,000 best sellers on Amazon—and it's not even National Poetry Month yet! So leave the dream of the '90s behind in Portland one of these days, and come see what the new millennium is hatching in Salem: poetry with, ahem, a state-capital P.

No comments:

Subscribe to: Post Comments (Atom)

Praise for Everyday Reading: Poetry and Popular Culture in Modern America

"Mike Chasar's brilliant, witty book is the definitive guide to the growing field of American popular poetry. Empowered by prodigious research and informed by thorough knowledge of the traditional poetry canon, Chasar's five chapters take us deep into the way poetry functioned in the lives of ordinary people." — Cary Nelson, University of Illinois, editor of The Oxford Handbook of Modern and Contemporary American Poetry

•

"Burma-Shave quatrains, newspaper columns, scrapbooks with thousands of stanzas held together by affection and paste, folksy, pseudonymous, nationally famous radio hosts and the fans who sent them an avalanche of homemade verse: these are just some of the materials taken seriously in Mike Chasar’s extraordinarily memorable, and likely influential, study of popular American verse, and of the popular culture that grew up around it, for most of the twentieth century. Chasar combines the painstaking, arduous archival methods of real historians with the close analyses that we expect from literary critics, applied to verse, to images, and to informative prose ephemera. He persuasively links Williams Carlos Williams’s innovations to roadside signs, the Iowa Writers’ Workshop to the Hallmark card; he may change how you see some eminent writers’ work. Even more than that, however, Chasar should get twenty-first-century readers to sit up and notice the uses that so many Americans, only a couple of generations ago, found for the poetry that they enjoyed. Or, to take up a mode that Chasar appears to be the first to analyze: THIS OLD-TIME VERSE/ HAS LOTS TO SAY/ IF YOU CAN READ IT/ CHASAR’S WAY. His book is an ambitious, serious claim on present-day literary studies; it’s also a surprise, and a delight." — Stephen Burt, Harvard University, author of Close Calls with Nonsense: Reading New Poetry

•

"As Bob Dylan put it, 'We have our ideas about poets,' and we certainly have our ideas about poetry. Lately, those ideas have led to a national outcry in favor of bringing poetry back into American public life. But in Everyday Reading, Mike Chasar shows us that if we can rethink our ideas about poets and poetry, we will find that poems have always been part and parcel of modern life. This is an important—really, a necessary—book for anyone interested in modern poetics, in the history of reading, in the many appearances of poetry in the era of its supposed disappearance." — Virginia Jackson, University of California Irvine, author of Dickinson's Misery: A Theory of Lyric Reading

•

"This breakthrough study convincingly shows that American poetry in the opening decades of the twentieth century, far from being a largely elitist product that appealed to a limited audience, circulated among a number of different readers to a remarkable degree and left its traces in surprising areas." — Edward Brunner, Southern Illinois University Carbondale, author of Cold War Poetry

•

"The lyric spring will never cease creating an emotional pressure, sought after by every searching consciousness—this is what Mike Chasar ... has shown in his book Everyday Reading" — Marina Zagidullina, New Literary Observer

•

"[T]he originality of Chasar's close readings, the sheer amount of research informing each chapter, and the speculations on what can be learned from such careful analyses of popular cultural practices make Everyday Reading not so everyday and well worth reading." — Lisa Steinman, The Journal of American History

•

"[The] tension between the poetic and the popular is the crux of Chasar's fun and thoughtful book. Chasar is a literary archaeologist. He excavates the poetry in Burma Shave ads, literary scrapbooks of the 1920s and 1930s, old time radio shows, and yes, even Hallmark cards. His close reading of [Paul] Engle's poem 'Easter' as well as the reproduction of the actual card is genius. His thesis is that early-twentieth-century market culture was saturated with poetry (as opposed to 'Poetry') that was participatory rather than exclusionary. This emotional interactivity with poetry, Chasar posits, set the stage for the bizarre matrix of media, commerce, and culture that would come to define the second half of the twentieth century." — Dean Rader, American Literature

•

"Everyday Reading goes far in illustrating how poetry played a much larger role in most Americans' lives than it does today. Chasar paints a picture of a more various and ultimately dissident American public than most might have expected, a public for whom poetry was a crucial part of an overall strategy to counter the dominant political, economic, and social paradigms of their era. Written beautifully and researched meticulously, Everyday Reading will prove an important resource for political and cultural historians, literary scholars, and anyone else interested in how poetry transcends the page and becomes an active part of how we spend our days." — Daniel Kane, Journal of American Studies

•

"Highly recommended." — Choice

•

"Everyday Reading is sure to act as a touchstone for scholars interested in popular digital literature as well as the contemporary avant-garde....[It] concludes with a flourish: an anecdote about the author's grandmother's use of clipped poetry in wartime letters to her husband that evidences Chasar's arguments while remaining personal and poignant. It is a fitting moment for a book that is so innovative, important, and constantly successful" — David Levine, College Literature

•

"Scrapbooking, which appears in other chapters following the first one, becomes the controlling metaphor for Chasar's study—and for reading habits today. With so many cultural products driven by individual tastes and various engines of a global economy, readers inevitably select and construct their own 'tradition,' which may have much or little to do with what they have been taught is important. Chasar's well-documented, thoughtful book offers the larger picture of this phenomenon, of which the battle for the best is only part of the story." — Rhonda Pettit, Reception

•

"A brilliantly written book, startling the reader with his thorough research and analysis" — Sheila Erwin, Portland Book Review